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Facts, tips & ideasKnowledge & education Ludwig van Beethoven
Ludwig van Beethoven
1770-1827
At a glance

1783 Engaged as continuo player by Bonn opera house; a music publication compares him favourably with Mozart
1787 Sent to Vienna to study with Mozart. The relationship is cut short by his mother’s death, and he returns to Bonn after two months. Legend has it that Mozart told friends, ‘This young man will go far in the world’
1789 Plays the viola in Bonn’s new opera house
1790 Passing through Bonn on his way to London, Haydn is impressed by Beethoven and offers to teach him should he come to Vienna
1791 5 Dec. Mozart dies, leaving a gaping hole in Vienna’s musical life
1792 Moves to Vienna where he is enthusiastically taken up by Count von Waldstein’s circle

1802 Distraught due to increasing deafness, he writes ‘Heiligenstadt Testament’, in which he reveals the depth of his despair, while dedicating himself to his art  
1805 Composes his only opera Fidelio, a failure then, but successful nine years later after heavy revision
1808 First performances of Symphonies Nos. 5 and 6
1812 Meets the famous poet Goethe, who finds Beethoven ‘an utterly untamed personality…’
1815 Europe enters peaceful period after defeat of Napoleon, while Beethoven becomes increasingly reclusive


Beethoven lived through a revolutionary period. His musical accompaniment to these stirring times is unique in its heroic sweep and passion, expressing the spirit of the age. 

Beethoven was viewed as the natural musical heir to Haydn and Mozart, but he became far more than that, pushing beyond known boundaries to create music of revolutionary power.

Beethoven was 18 when the French Revolution started in 1789. He was still living in his native Bonn, where he was steadily building a reputation as a musical all-rounder, playing keyboard continuo for the Bonn opera and viola for the theatre orchestra. But it was at the piano that he really shone, where he created a sensation with his effortless improvisations. He was taken up by an aristocratic widow, Mme von Breuning, and through her he acquired a number of wealthy piano pupils. Also through Mme von Breuning he was introduced to Count Ferdinand von Waldstein, a very senior and influential member of the Austrian nobility.

Beethoven in Vienna
The Waldstein connection paid dividends in 1792, when Beethoven decided to take up a long-standing invitation to go to Vienna to study under Haydn, but their relationship never really got off the ground. Beethoven found that Count von Waldstein had been promoting him as the new Mozart, who had died just the year before. Through the Count, Beethoven gained other enthusiastic patrons, giving him a great start in the music capital.

Ludwig van Beethoven

An original force
After his first concert in 1795, the Viennese public grew steadily more impressed by the depth and originality of his piano compositions allied to his masterly stage performances. In 1800 he was poised to enter the second period of his career – in which he would transform the musical landscape in one of the greatest achievements in the history of artistic creation. Miraculously, he would do so while waging his long, lonely war with deafness. In the early years of the new century, against the background noise of Napoleon’s armies in Europe, Beethoven composed his remaining symphonies, string quartets, a stream of piano sonatas, a peerless violin concerto and his only opera, Fidelio. In all of these works he demonstrated an absolute mastery of musical form, which enabled him to explore the depths of his humanity.

Financial stability
During this time too he stubbornly supported himself without an official position. His soaring reputation enabled him to publish his scores profitably, while his patrons were happy to pay substantial sums for a dedication, and to provide an allowance for Vienna’s revered and much-loved adopted son.

   




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